MÉDIA

ANTONELLA BARNAT | MEZZO
Portrait

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Opéra
Dorabella- Cosi fan tutte-Mozart
Dorabella- Cosi fan tutte-Mozart

Opéra de Bucharest- jan 2019 crédit photos: Sebastian Bucur

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Dorabella- Cosi fan tutte-Mozart
Dorabella- Cosi fan tutte-Mozart

Opéra de Bucharest- jan 2019 crédit photos: Sebastian Bucur

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Opéra National de Bucarest
Opéra National de Bucarest

Rôle de Dalila dans Samson et Dalila de Saint-Saëns à l’Opéra National de Bucarest Crédit photo: Sebastian Bucur

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Opéra National de Bucarest
Opéra National de Bucarest

Rôle de Dalila dans Samson et Dalila de Saint-Saëns à l’Opéra National de Bucarest Crédit photo: Sebastian Bucur

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Requiem de Verdi
Requiem de Verdi

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Opéra National de Bucarest
Opéra National de Bucarest

Rôle de Dalila dans Samson et Dalila de Saint-Saëns à l’Opéra National de Bucarest Crédit photo: Sebastian Bucur

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Suzuki- Madama Butterfly- Puccini
Suzuki- Madama Butterfly- Puccini

Suzuki – National Opera Bucharest – cond. Tiberiu Soare

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Macbeth
Macbeth

Dama di Lady Macbeth – Bucharest – cond. Iurie Florea

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In trup
In trup

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Suzuki- Madama Butterfly- Puccini
Suzuki- Madama Butterfly- Puccini

Suzuki – National Opera Bucharest – cond. Tiberiu Soare

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Enescu
Enescu

Contemporary opera – Enescu Museum

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Mahler Radio Orchestra
Mahler Radio Orchestra

Mahler 2nd – Bucharest National Radio Orchestra – cond. Cristian Macelaru

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Siegrune
Siegrune

George Enescu Festival – Marek Janowski

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Enescu
Enescu

Contemporary opera – Enescu Museum

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Azucena
Azucena

Azucena – Montreal – conductor Ioana Gherman

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Flora
Flora

Flora – Bucharest – cond. Cornel Trailescu

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Bach Iasi
Bach Iasi

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Azucena
Azucena

Azucena – Montreal – conductor Ioana Gherman

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En revue

Antonela Barnat is a go-to Donna Elvira. Although she approaches the score with her mezzo timbre, she demonstrates an excellent mastery of her rich voice with beautiful colours… (Don Giovanni)

Mihai Canciovici, ararat.online

 

The mezzo-soprano Antonela Barnat, possessing a soprano-like squillo, interpreted Donna Elvira’s part with unity of the vocal registers, freedom in the coloraturas and, most importantly, carefully chosen dynamics and nuances. (Don Giovanni)

 Costin Popa, Cronici Muzicale

 

….in the role of Venus, mezzo-soprano Antonela Barnat was very convincing in her depiction of the text, with the wagnerian style, phrasing and ‘class’ of a true opera singer, interpreting her role expressively, with finesse and real emotion whilst portraying her character’s feelings.

(Tannhäuser)                                                                                           

Anca Florea, Viata Medicala

[….] young mezzo Antonela Barnat, in her debut in the difficult role of Venus. Her beautiful voice is full, rounded, consistent, solid and serves the musical phrasing with both sensual lyricism and securely sung, strong, ringing high notes. (Tannhäuser)

 Costin Popa, Cronici Muzicale

 

In the role of Suzuki, Antonela Barnat caressed the ear with her rounded, velvety voice and was the perfect fit as an actress: petite, discreet, devoted, with miniature gestures and a floated walk. (M-ma Butterfly)

 Luminita Constantinescu, Revista Muzicala

 

...the mezzo-soprano Antonela Barnat - in the role of Merope - who within the space of a few minutes, managed to illustrate Enescu’s phrasing and style, a masterpiece in miniature... (Enescu’s Oedipe)

  Costin Popa, Cronici Muzicale

 

...Antonela Barnat - in the role of Ofelia - shows strength and versatility, a pure joy to listen to… (contemporary opera In Trup)

 n.a., Actualitatea Muzicala

 

… the mezzo-soprano Antonela Barnat knows how to highlight her warm timbre and the elegance of her musical phrasing with a calm which underlines her secure singing technique. (Dvrorak Requiem)

despreopera.com