Sharon Azrieli, media


“Among the highly credible supporting nuns was Montrealer Sharon Azrieli as the vivacious Sister Dolcina."Arthur Kaptainis – THE MONTREAL GAZETTE “Amid lively casts the Canadian soprano Sharon Azrieli, as the heroine of Le Docteur Miracle, was a mistress of merry inflections, piquant phrasing, and pointed words."Andrew Porter – THE NEW YORKER"Outstanding was Sharon Azrieli, who sang Rachel in La Juive with an exceedingly beautiful voice, full of feeling."Noam Ben-Zeev –HA'ARETZ (Israel)


"Having heard her in Mozart last September, I found that the shift into romantic high gear becomes Azrieli. Her engagingly clear and vibrant voice matched the sentiments -and sentimentality- of the Tchaikovsky songs. Azrieli sang in Russian and rendered the songs with a vocal exuberance [...]"Ilse Zadrozny – THE MONTREAL GAZETTE


"Sharon Azrieli's Susanna managed to be wily yet candid, flirtatious, practical and utterly charming. And her bell-like soprano is always exquisitely in tune […]"Florence Fisher – SARASOTA HERALD-TRIBUNE


"Susanna, one of the longest roles in opera, was the delightful Sharon Azrieli. Pert and pretty, she has a lovely warm voice that easily floated over the orchestra. Her rock-solid technique enabled her in the fourth act, after a long evening, to still sing an ethereal and enchanting 'Dehvieni non tardar'".Kenneth Blount – OUR TOWN (New York)


"Soprano Sharon Azrieli […] has a focused, buttery voice blessed with a radiant high end […]”Kurt Loft – THE TAMPA TRIBUNE


"Soprano Sharon Azrieli soared sweetly or quaked with fear and wrath on cue […]”Richard S. Ginell – THE LOS ANGELES TIMES


"Her low profile is a paradox, for her voice was big and lustrous, and her way with Tchaikovsky’s melodies was compelling. […] Azrieli’s Russian diction […] sounded spot-on, and her stage comportment was naturally expressive.[…] A real, operatic soprano […]”Richard S. Ginell – THE LOS ANGELES TIMES



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